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Simone Di Meo returns to the world of art this month as Batman delves into the Cult of Man-Bat. While this series has been somewhat disappointing overall, with recent subplots being wrapped up, there’s hope that things can improve and Williamson can bring it all together. However, the series still struggles with balancing good ideas with bad ones.
The art in this month’s installment, done by Di Meo, is clearer than in previous issues, with fewer angled panels and a more refined style. Despite some moments of clarity, the sequential clarity still lacks at times. The art does not always match the upbeat and fun tone of the story, creating a murky atmosphere that doesn’t quite fit.
One highlight of this issue is Flatline, bringing a Robin-like dynamic that adds to the story. The banter between Robin and Flatline can be a bit much at times, but their relationship adds depth to the narrative. Bruce giving Damian relationship advice is a nice touch, showcasing a wholesome dynamic between the two.
Unfortunately, the antagonists, particularly Man-Bat and his cult, remain uninteresting and lacking depth. The attempt to justify their actions falls flat, feeling like unnecessary filler. Man-Bat’s character feels disconnected from previous interpretations, making him a dull and uninspired villain.
The addition of Shush on the last page feels forced and uninspired, adding unnecessary complexity to the story. It seems like a cliched attempt to create drama rather than serving the overall narrative.
Overall, this issue struggles with balancing good character dynamics with weak plot choices and uninteresting villains. While the portrayal of Damian and Bruce (and Flatline) is enjoyable, the overall plot leaves much to be desired. Until a new plotline emerges, the series may continue to struggle with inconsistent storytelling.
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