NEW Comic Covers with Chaos, Claws, Coffee, and Carnage

NEW Comic Covers with Chaos, Claws, Coffee, and Carnage.
These new comics are scheduled for release on May 28, 2025. As of now, we are not aware of any delays and cannot be held responsible for any unforeseen changes.

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LAST WEEK – TOP 5 NEW Comics This Week: First Appearances, Doom’s Agenda, and Superman’s New Threat
LAST WEEK – Hot Picks for NCBD: Key Issues, Bold Firsts, and Speculative Gems – 5/21/24
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LAST WEEK – MOVIE REVIEW – Mission Impossible: The Final Reckoning – A Thrill Ride With Speed Bumps
LAST WEEK – Cover Gem of the Week: Superman Unlimited #1 Midtown Comics Exclusive – Dan Mora

NEW Comic Covers with Chaos, Claws, Coffee, and Carnage.
This week’s lineup of comic covers doesn’t just ask for your attention, it demands it—politely, of course, through a series of rooftop brawls, haunted stares, and iced coffee strolls. Whether you’re hunting for a new display piece or justifying one more “last” comic purchase for your wall, these covers hit hard with artistic firepower and speculative value that might just sneak up and knock you out cold. These are the best new comic covers this week, and yes, we’re judging books by their covers… because we can.
Daredevil Cold Day In Hell #2 by Gabriele Dell’Otto might need to come with a warning label: too intense to casually glance at. A storm of darkness, rain, fire, and fury, this is the type of hyper-realism that makes you question whether Daredevil’s mask is sewn on or just part of his angry soul. The sharp facial detail gives us a version of Matt Murdock you don’t want to cut in line at the confessional with. Easily one of the fiercest looks this week. Ultimate Spider-Man #17 from Ivan Talavera takes a surprising approach—no villains, no weapons, no explosions. Just Mary Jane, a cup of iced coffee, a necklace with a Spider-Man link, and a confident stride that says, “I know you’re staring.” Set against a breezy New York backdrop, this cover screams cool without raising its voice. Could easily be the Cover Gem of the Week, and rightfully so.
Now let’s talk about Batman #160, a book that apparently decided to enter the comic cover Olympics with not one, not two, but three different contenders. First up, Ben Oliver gives us earthy tones and a hierarchy of emotional tension. Catwoman takes the lead front and center—because she has a name too—while Batman and Hush brood in the background like two exes refusing to make eye contact at a wedding. Then, Frank Quitely ditches the background altogether, letting Batman and Hush throw hands on a blank canvas rooftop like it’s the only thing that matters. No distractions, just vibes. Lastly, Jim Lee & Scott Williams serve psychological warfare with Batman on his knees, ears covered, as “HUSH” echoes endlessly across the page. Subtle? No. Effective? Absolutely.

In Rogue The Savage Land #5, Kaare Andrews channels that ‘90s retro muscle but injects it with 2025 energy. Rogue is literally being lifted and choked by the villain, in a cover that feels like it should come with VHS tracking lines. Somehow Andrews always knows exactly how to make you feel nostalgic and terrified at the same time.
And then there’s Predator vs Spider-Man #2 by Giuseppe Camuncoli, where the Predator thinks he’s got the upper hand in a NYC tunnel—until the camera pans up. Spider-Man, in true survival mode, is camouflaged in mud (with just enough suit showing to remind us it’s still him), ready to strike. This cover is storytelling, tension, and speculative gold all crammed into one waterlogged standoff. Meanwhile, Eddie Brock Carnage #4 by Gleb Melnikov walks a fine line between psychological and pure chaos. Half Eddie, half Carnage, this is either a takeover in process or a breakdown in progress. Either way, the raw, jagged art style reflects the absolute instability we love in our symbiote drama. Magik #5 from Lesley Leirix Li isn’t messing around either. With red wings, claws, horns, and a stare straight through your soul, Magik brings demon queen energy that says, “I came from your nightmares and brought receipts.” This cover is a masterclass in beautiful horror. Monsters #5 by Mark Spears also veers into that disturbingly gorgeous lane. A woman with a black snake-bra outfit and a serpent tattoo slithering from chest to red eye. The snake’s fangs rest on her cheek like war paint. This is the kind of imagery that either goes straight to the CGC slab or your dream journal. Maybe both. Star Wars: The Rise of Skywalker #4 by Luke Ross gives us a cinematic close-up of Kylo Ren knee-deep in water, rain slamming down as his red lightsaber slices through the darkness. It’s intense. It’s aggressive. It’s basically one deleted scene away from making the movie better. And Uncanny X-Men #15 from Fan Yang sneaks in with Mystique standing before a church window with one gun drawn and birds circling like she’s in a John Woo flick. She’s not even facing us, yet somehow she is—because that’s Mystique’s entire brand. Another brilliant entry in the “don’t mess with me today” genre of comic covers.

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