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Written by: Dan Slott
Art by: Paco Medina
Colors by: Erick Arciniega
Letters by: VC’s Joe Caramagna, Cory Petit
Cover art by: Humberto Ramos, Edgar Delgado
Cover price: $4.99
Release date: May 29, 2024
Spider-Boy #7 concludes the arc with an Avengers raid against Madame Monstrosity’s farm in upstate New York.
Is Spider-Boy #7 Good?
When last we left the sassy sidekick in Spider-Boy #6, Bailey Briggs learned that Madame Monstrosity’s feline assistant is his mother, Tabitha Briggs. Meanwhile, Bailey’s friend, Christina, gets accustomed to life as a pigeon-headed indentured servant.
In Spider-Boy #7, Bailey remains trapped in Madame Monstrosity’s lab as a guinea pig for her experiments to find out why he’s the only humanimal that can change form and why nobody can remember him.
Christina does what she can to remedy the situation by enlisting a pigeon to carry a note to Spider-Man with their location. In turn, Spider-Man reaches out to the Avengers to coordinate a raid on Madame Monstrosity’s farm.
The raid was a success. Sensing her schemes are over, Madame Monstrosity unleashes a last-resort experiment that splices her genes with every animal she has in the lab, turning her into a giant, chimeric monster. But before Monstrosity can launch her full attacks on the world, the High Evolutionary offers to teleport her away. Monstrosity accepts the offer but realizes too late that her role is more lab specimen than scientist.
The End.
What’s great about Spider-Boy #7? As far as endings go, Dan Slott gives readers what they expect. The prisoners are freed, and the villain is out of the picture (for now). Paco Medina’s art is bright and fun, so you get plenty of visual appeal, and the ending leaves several plot threads open to continue the story with less emphasis on Madame Monstrosity.
What’s not so great about Spider-Boy #7? Slott’s story stumbles in two key areas. First, the dialog is a hodgepodge of shouting exposition that, frankly, you’d expect from a less experienced writer. For example, the Monstrosity snatches up Squirrel Girl, and the latter loudly exclaims, “Now she’s GOT me!” Yes, Squirrel Girl. We can clearly see the monster has you. Why are you explaining what the art is showing to the reader? Oy!
Second, The “missing memory” mystery thread has overstayed its welcome because it isn’t a mystery. Bailey and Spider-Man know exactly why nobody can remember Bailey, so why does this problem keep coming up as a sticking point? The only reason it should come up again is in service to a quest for Bailey to have the memory loss undone. Either address it or don’t.
About The Reviewer: Gabriel Hernandez is the Publisher & EIC of ComicalOpinions.com, a comics review site dedicated to indie, small, and mid-sized publishers.
Follow @ComicalOpinions on YouTube, Facebook, Instagram, and Twitter
Final Thoughts
Spider-Boy #7 brings Madame Monstrosity’s evil gene-splicing operation to an end with an Avengers raid against her secret lab. Slott’s script brings the major conflict to a close while leaving several subplots open for more exploration, and Medina’s art is bright and fun. That said, the exposition-heavy dialog feels unnatural, and the “memory loss” plot point has overstayed its welcome.
6.2/10
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